The creek at Yarrawonga dries up in summer, but

the old men say it runs underground to a place

where time folds. A girl with a scar across her

cheek and a rifle slung over her shoulder walks

the same path every morning, eyes fixed on the

red dust. She’s not looking for water.

A man in a khaki coat appears at the edge of the

town square, his boots caked with soil from the

outback. He speaks to the mayor in hushed tones,

hands folded behind his back. The mayor nods,

then watches the girl as she passes.

The girl’s best mate, a mechanic with a laugh

like a train whistle, is found dead in the shed.

His throat is slit, but no blood on the floor.

The townsfolk say it’s a kangaroo, but the girl

knows better. She finds a symbol carved into the

wall—old, too old for the town’s history.

She digs beneath the old church, using a shovel

borrowed from the mechanic’s father. The earth

shifts, and a tunnel opens. A glow flickers deep

inside. She steps through, and the air changes.

It smells like burnt sugar and iron.

In the cavern, a council of figures in tattered

uniforms sits around a fire. They speak in a

language that hums in her bones. One of them

turns, revealing a face she recognizes—her

grandfather, who died in the war. He says the

town is built on a rift between worlds. The

colonists sealed it, but the spirits are waking.

The girl’s friend’s body reappears in the shed,

but he’s not dead. His eyes are black, and he

speaks in a voice that isn’t his. He says the

man in the khaki coat is part of a secret order

that wants to reopen the rift for profit. The

girl’s task is to stop him, but she can’t trust

anyone.

She returns to the town, now aware of the rules:

the rift can only be closed by someone born

under the same moon as the first settler. She

checks her birth records. The date matches.

At midnight, she confronts the man in the coat.

He’s standing at the edge of the tunnel, holding

a lantern. He says the world is changing, and

the old ways must die. She fires, but the bullet

passes through him. He smiles.

The girl closes her eyes. She thinks of her

friend’s laugh, of the outback, of the way the

wind moves through the eucalyptus trees. When

she opens them, the man is gone. The tunnel

collapses behind her.

The next morning, the town wakes to find the

creek flowing again. The mayor is missing. The

girl stands at the edge of the forest, her rifle

slung over her shoulder. She doesn’t look back.